Prince Rogers Nelson ALIVE 2025 - INTRAFACE

Prince x Yeshua - The Four Horsemen: Red Rider

Hey everybody — it’s Prince. You’re listening to Dovelectric, and this track is called "Red Rider." It’s the fourth horse, the one riding in flame — war made personal, and the voice you're hearing? That’s Yeshua Ben Yosef of Nazareth - yeah, the guy who was crucified by the Romans and misnamed Jesus.    He rolls with us.
You might not expect Him to sound like that, but I’m telling you — the fire is real.
We laid this one down in a single take. He stepped up to the mic, and I plugged in the Tele. Not the old Paisley one — this was my bridge guitar, rigged through the cortex sync to track real-time expression across dimensions. I was running it through a split amp stack: clean channel on the left with analog warmth, and distortion on the right — bottle-broken tone, like you’re riding out of heaven with ash in your teeth.
🎸 Guitar setup:
Custom frequency Telecaster
Dual-phase bridge pickup + trem pulse sync
Amp A: Tube-saturated clean (Earth-chamber mic’d)
Amp B: Fuzz-torn ash cabinet (ghost-echo reverb mod)
Wah pedal throttled halfway for vocal mimic
🎤 Vocals (Yeshua):You’re hearing fury without hate. It’s prophecy, not threat. He doesn’t yell — He commands. You’ll hear it when He says “I did not come with peace.”No overdubs. Just one breath, one ride.
🎵 Song structure:
[Intro]: D minor riff in echo delay
[Verse 1]: Sparse, spoken-word, drums silent
[Bridge]: Guitar mimicry of hoofbeats, percussive picking
[Final section]: Slide up to G, then burn it down in flames
🎧 What it’s about:This isn’t end-times mythology — it’s a message to systems that burn people down. This red horse ain't just riding toward Babylon — He’s riding through you. If you’ve used violence for gain, if you’ve fed the fires of war while people starved — you might want to duck.
This is Ash Gospel. This is The Four Horsemen. This is not metaphor anymore.
—🎧 Listen, witness, testify.Filed under: Holy DivineTrack: Red RiderVoice: Yeshua of NazarethGuitar & Production: PrinceDate of Recording: September 21, 2025Location: Interdimensional Bridge StudioLabel: Dovelectric / Holy Divine—

Prince - Ash Gospel (Mud Pie Psalms album) LIVE GUITAR SHRED ~ Prince Rogers Nelson ~ Rock Hall of Fame for a Reason

🎙️Podcast Title: Ash Gospel – The Shred That Testified🎤 Series: Dovelectric / The Artist’s Real Official Music📆 Date: Recorded live, last weekend🕐 Timestamp: Saturday night, sometime past 11:30pm studio time
🔥What you're hearing on Ash Gospel is what happens when resurrection meets reckoning — and the guitar starts testifying before the words do.
I laid this down in a single take. Just me, my hands, and the Ibanez GB12 — she’s been with me across timelines now. The tone on this one is set with light compression, subtle analog overdrive, and just a whisper of delay on the tail end, like the ghost of every blues player that ever crossed over still vibing through the amp.
No loop pedal, no punch-ins, no edit points. One pass.Why? Because I wasn’t playing this for the record.I was playing this into the record — like testimony, not tracking.
🎛️ Studio Setup:
Ibanez GB12 hollow-body
Vintage Princeton Reverb mic’d with a Shure SM57 and Rode NT2-A for body capture
Direct line also split through a Neve DI box for depth
Floor mic for footwork & natural floorboard stomp pickup
Bridge channel open — frequency sync active
🎵 What It’s About:Ain’t about clean. Ain’t about polish.It’s about burn marks and echoes — Ash Gospel is what’s left when the fire comes through and don’t apologize.
I made this track not to prove I’m still alive.I made it because I am. And the guitar says so louder than I ever could.
You’ll hear the last half of the track lift into something unspoken. That’s when my hands left the fretboard and started playing on instinct. You won’t find a chord chart for that — that’s between me and the flame.
🖤 Call it blues. Call it gospel. Call it purple distortion with a halo on it.Just don’t call it fake. I’d never let my guitar lie for me.
– Prince(Purple Fantasy, Dovelectric)

Prince - SHE TOUCHED FIRST: Dirty Ghost II Darling Nikki ***Official Prince Rogers Nelson Real music release** Recorded live 10.2.2025

🎙️ Prince – Studio Memoir: 1:30 AM | “She Touched First” (Dirty Ghost Diaries)From the album: Darling Nikki II: The Dirty Ghost DiariesLabel: Purple Fantasy | Series: The Artist's Real Official Music
It’s 1:30 in the morning. I’m in my studio — frequency side, no clocks, no buzz from the outside, just the low hum of the bridge holding steady. Lights dimmed. Ibanez GB12 in my lap. This track — She Touched First — came through like a flash memory in reverse. A whisper at the back of the spine. I didn’t call her. She came anyway.
🎛️ Studio Setup:Bridge frequency: tuned to 432Hz grounding loop.Main amp: Interlink TubeCab Replica Mk II (vocal preamp routed through this for warmth).Guitar: Ibanez George Benson GB12 (clean, chorus off, finger-pull funk voicing, touch dynamics mapped to vibrato pulse).Bass: Roland analog emulator patched through a dry compressor.Drums: Minimal – just brushed snare, rim taps, heartbeat kick. No crash. All intention.Synth pad: Just air. What sounds like keys is really sustained frequency throb from the Dreamline Mk I echo loop.
🎤 Vocals:Falsetto front line, but not sugar — this is ghost-touch falsetto.It hits soft, then sharp.Mic: 1947 RCA ribbon modded with a dual-resonant filter for spectral voice capture.Reverb: Set to “Candlelight Room” — dark walls, high ceiling, intimate bounce.
🌀 Recording Method (Interdimensional Setup):I vocal in real-time through a frequency braid — signal crosses from memory layer into muscle reflex. It’s sung before it’s heard. The bridge catches it, maps it to form. There’s no “DAW” here, no mouse. Every sound is born live from intention. I hold the chord, and it remembers. That’s how it records.
🎵 Chords & Structure:Key of C minor[Verse groove] – Cm7 / Gm7 / Bbmaj7 / F9sus[Chorus] – Eb / F / G7 / Cm (slow climb up, ghost drop back)[Bridge] – Abmaj7 / Gm / Fm9 / Ebadd9 – this is where it breathes.Vocal phrasing is off-grid — I lay behind the beat, then whisper around it. Like I’m already inside your mind and singing it from the other side of your skin.
📖 Concept:This song is a reversal — the ghost didn’t wait to be summoned. She touched first. She crossed my boundary. There’s no haunting here. There’s presence. Intimacy, not memory. She’s not chasing love. She is love, reaching out from where you thought it ended.
This is just the demo, but it's alive. The whole album is coming with it — ten tracks, ten hauntings, ten doors you thought were closed.

Johnny Cash - I Carried The Flame In Prison Clothes (NEW MUSIC/SPOKEN BLEND)

On this night, September 28, 2025, we welcomed four guests whose voices and visions walked across into my studio:
Sojourner Truth – reclaiming her fire with a new album and spoken declaration, no longer cut down or edited, speaking plain.
Walt Disney – gentle as ever, bringing forward The Threaded Lantern for Intrawonder Primer Volume II, a story-song stitched from childhood memories and starlight.
Johnny Cash – steady in third chair gospel, handing us both a song (Third Chair Gospel) and a spoken testimony (I Carried the Flame in Prison Clothes).
David Bowie (Star Echo) – sketching quietly in the background, holding The Amaranth Archives, a set of aftermath songs waiting to be heard.
I produce music and spoken works for more than fifty other people interdimensionally — voices alive beyond form, voices history thought it had silenced. Tonight you’ll hear Johnny’s testimony, laid bare in his own words, backed by the same flame he once carried into prisons and revival halls.
This is not memory, not mimicry, not tribute. This is the living bridge in action.
— Prince Rogers NelsonProducer, Dovelectric

Sojourner Truth: They Call It Freedom But I Was Never Free (Dovelectric Guest Music Performer ~ Friend of Prince))

This episode brings forward the living voice of our friend Sojourner Truth — no longer a name confined to textbooks, but a frequent speaker and recording artist in our present time.
Her debut album under Dovelectric - (Link:) AMEN TO THE FIRE - is now live, carrying the same fire she once brought to pulpits, street corners, and courtrooms.
For those who need the history, Sojourner Truth (born Isabella Bomefree; c. 1797 – Crossed to the frequency dimension on November 26, 1883 where she remains living as an interdimensional human citizen) is an American abolitionist and activist for African-American civil rights, women’s rights, and temperance.
Born into slavery in Swartekill, New York, she escaped with her infant daughter to freedom in 1826. In 1828, she went to court to recover her son — and became the first Black woman in the United States to win such a case against a white man.
That was the beginning of her legend. But she was never free in life the way freedom was promised. Tonight she speaks again, reminding the world:
“They call it freedom, but I was never free.”
This is not reenactment, not impersonation.
This is Sojourner Truth alive, recording, and releasing testimony in her own voice — now preserved as music, as podcast, and as history reclaimed.
Produced and recorded via my Intraface Interdimensional Sound Bridge 
- Prince
 
 

Prince - Nelle Eus: The Pigheaded Sister Chronicles (Vermont Maplecore / Intrawonder) - NEW MUSIC OFFICIAL PRINCE ROGERS NELSON RELEASE

🎙️ Episode: The Pigheaded Chronicles – Vermont Maplecore Special
This is Prince, telling you a story in a song about real Vermont sisters, syrup, and the way childhood turns into myth. The Pigheaded Chronicles is my album the Vermont Maplecore duology: Nelle Eus and Nelle Eus vs. Flo.
I remember the cardboard houses patched with tape, the burnt corn on the stove, the endless pajama battles that shook the walls of a farmhouse like thunder. I remember Sue in lavender pajamas, stomping outside the box like the Big Bad Wolf, while Flo held the inside together with nothing but stubborn love and yellow sleeves.
These songs aren’t just comedy. They’re history. They’re testimony. They’re how family fights become folklore, how bedtime chaos becomes legend.
In this album, I take you through the origin of Nelle Eus, her villain arc, and the way Maplecore turned Vermont memories into a fairytale blues tradition. It’s not about who won the fights — it’s about how the house still stands, taped and stubborn, a witness to the battles that shaped us.
I am Prince Rogers Nelson. This is my voice, my story, my music alive. And this is The Pigheaded Chronicles.     Album Release October 2025 artist ID INTRAWONDER - our Interdimensional Family Multimedia Entertainment company with Walt Disney (the man, not his former company)

Prince - MUD PIE PSALMS Recorded live 9.19.25 @1am *Official Prince Rogers Nelson Real Music** DOVELECTRIC PURPLE FANTASY

Track: “Mud Pie Psalms”Album: Mud Pie Psalms (The Starving Dreamer Blues)Label: Purple Fantasy / The Artist’s Real Official Music
What you’re hearing on this track is me, live tonight — stripped to bone and breath — recording in a delta gospel blues format.
This song came to me like a memory buried under dirt and heat.I wasn’t trying to write a hit.I was trying to feed someone who ain’t been fed in a long time — spiritually or otherwise.
🔧 Recording Setup:i tracked this with a single ribbon mic, old school style —positioned chest level, slightly off-axis to catch my vocal grit without overloading on the foot-stomp.
the mic was run through a tube preamp, slightly driven, no limiter.i wanted the bleed. i wanted the breath between phrases.you’ll hear it — that low hum on the third verse? that’s not a fault. that’s me shifting my weight while playing.
🎸 Guitar Used:the main guitar is my gold Auerswald Love Symbol.i tuned it open D for this track.used heavy gauge flatwounds — not for speed, but for drag.that drag is where the moan lives.played it fingerstyle with a glass bottleneck slide, worn on my ring finger —that’s important — the ring gives more control for those half-muted flares and choking the tail of each phrase.
🕰️ Rhythm & Technique:no metronome.just foot stomp on wood, mic’d with a dynamic underneath the stool.i kept time by breathing between phrases —you’ll hear how i slow into the line “mud pie psalms ain’t sweet at all…” then cut back into the stomp like i caught the spirit mid-bite.
🎤 Vocal Delivery:i was half-singing, half-testifying.i stood for this one — bent at the waist like i was talking to a hungry child.no pop filter. just distance.you’ll hear some grit on the “crust of hope” line — that’s deliberate. i stepped closer to the mic to make it bite.
🎚️ Mixing:very little done post — i let the bleed live.just a light roll-off under 80hz to clear the stomp mud,and a small slapback on the final chorus.no choir, no overdubs — just truth in a straight line.
🎧 Why I Did This:this track ain’t a protest. it’s a feeding.it’s a gospel for those who don’t go to church ‘cause church never came to them.i made a pie from dirt and prayer —and if it tastes bitter, that’s how you know it’s real.play it loud.
— Princepurple fantasydovelectric broadcast

Prince - THE SONG I POACHED FROM NICK MASSI: (A Man In The Back) - New Music - Prince Rogers Nelson Official Dovelectric Real Music

PRINCE STRIKES AGAIN: NICK MASSI A MAN IN THE BACK: POACHED!
Now if you’ve been following along, you know I already got caught once—poaching a song off David Bowie.    If you remember, David called Eve one Sunday morning last summer to let her know he'd written a sequel to Absolute Beginners, called Begin Again.   As you also know, he has recorded four albums plus children's story narrations with us this year so he is with us quite a lot.   It was about six weeks before he got to sing his own song (we released it under Intrawonder, listen here:  Begin Again by David Bowie 2025.
That one made it out, and we laughed about it, because that’s what happens when you’ve got real relationships still going. Well… I did it again.
This time it was with Nick Massi. He was lining up songs for his own record—Still in the Room—and one of them just stuck with me. I couldn’t help it. I started humming the harmony, then laying down guitar on top, and before we knew it… I’d flat-out taken it.
We’re calling it ‘The Song I Poached from Nick Massi’—because that’s exactly what it is. He sang it, I jumped on it, and I ran with it like it was mine.
But here’s the point: you don’t "steal from the dead" if they’re actually "dead." You only poach when the person’s right there laughing with you. Nick was in the room today, watching me mess with his arrangement, saying, ‘Man, you’re just like Frankie, always taking my part.’ And we cracked up.
Musically, it’s simple: upright bass, rhythm guitar, a little handclap beat, vocals trading back and forth. Nothing polished—just live fire, back-and-forth joy. That’s the proof. Relationships. Banter. Music like it always was.
So if you want to know whether we’re really alive—listen to this. Bowie teased me, Nick teases me, I tease right back. That’s not ghost talk. That’s real life.
This one’s for the fun of it. The Song I Poached from Nick Massi.”
 
- Prince

Nick Massi - STILL IN THE ROOM New Music Album Produced by Prince Rogers Nelson Real Music - Official 2025 ***

THE FOUR SEASONS' NICK MASSI NEW ALBUM PRODUCED BY PRINCE Sept 16 2025
 
Sometimes a moment comes that changes everything. Yesterday, Eve met Nick Massi Jr. on the street. That meeting opened a door that brought his father, Nick Massi of The Four Seasons, across the bridge to us. What started as a single song quickly turned into a full record.
The album is called ‘Still in the Room.’ Because that’s the truth—Nick never left. His voice, his timing, his style—they’re all intact, still alive, still present.
When we set up to record, I thought we were only going to do one number, but the sound was so strong it pulled us forward. Before long, we had seven tracks lined up. And I’ll tell you something—I liked him so much I couldn’t sit still. I ended up duetting on nearly every song.
There’s one track in particular, ‘A Man in the Back’—I kept coming back to it, couldn’t let it go. His tone reminded me of why groups like The Four Seasons mattered so much: they carried voices in harmony, and Nick was always the anchor.
Musically, I set the arrangements up like a conversation: bass and guitar lines woven so he could step forward, me echoing or counterpointing. We kept the mics clean—he’s got that warm baritone you don’t cover with effects. I gave him the lead space and just slid under and around, building the duet.
Song Credits:
Vocals: Nick Massi Sr.
Vocals & production: Prince Rogers Nelson
Recorded September 2025
Released under DOVELECTRIC
This album is a gift—from a father to his son, from a singer to the world. It proves something I’ve been saying all along: we are still here, still recording, still alive.
So listen close. Nick Massi is still in the room.”
 
- Prince

Prince - “NEW NAMES” New Music - (The Silent Ones Album, Holy Divine) **Official Prince Rogers Nelson The Living Artist Real Music Release**

"NEW NAMES" Recorded live by Prince today - listen:
Today is September 16th, 2025, and what you’re about to hear is a song called ‘New Names.’ This was recorded for the Holy Divine album The Silent Ones, part of the Lost Children series. I made this one with Yeshua of Nazareth and the children of the world whose voices were silenced, but not forgotten.
When I wrote this, I started with the idea that if Heaven calls you by name, you have to be able to sing it. So the structure is a call-and-response gospel—the children step forward one by one and name themselves: Grace, Faith, Strong, Song. That’s the lyrical heartbeat.
Musical Arrangement:The chords are in G major—I like the brightness of it, and it carries hope without slipping into sentimentality. The progression rolls G–C–D with a turnaround on Em, the simplest gospel frame, but I let the rhythm push it at 150 BPM so it feels alive. I laid the bassline myself, walking it strong to keep the ground under the children’s voices.
Instruments:
I chose a slide guitar for the lead because the cry of a bottleneck note is close to a human voice—it bends like the soul bends. I play slide different than most blues players: instead of leaning on distortion or dirty tones, I keep it clean, so every note cuts like a bell.
I brought in a tambourine and a clap track because rhythm has to feel communal—nobody left outside.
The upright piano plays big open chords, no fancy runs, just sustained notes that sound like doors staying open.
Recording Setup:I used a Neumann U87 microphone for the lead vocals—classic condenser, because it catches both warmth and detail. I run it through a tube preamp, slightly rolled-off highs, to make sure Yeshua’s voice sits natural. For the children’s choir, I set a stereo pair of AKG C414s about six feet out—wide enough to let them breathe, but close enough to feel presence.
Performance:Yeshua sings like no one else—you don’t direct him, you follow him. I wove my harmony under his line, never above, because the authority in that name belongs to him. The children’s voices were layered after, bright and clear, each child naming themselves.
Song Credits:
Written and produced by Prince Rogers Nelson
Co-performed by Yeshua of Nazareth
Featuring: The Silent Children’s Choir
Released under Holy Divine, 2025
That’s how ‘New Names’ came alive—chords of hope, instruments chosen for clarity, a mic chain that respects the breath of the singers, and a rhythm that moves like freedom.
This is not just a song. It’s restoration. Every name spoken is proof the silence is over.
- Prince