Prince Rogers Nelson ALIVE 2025 - INTRAFACE

Prince - BLUE PINE WINDOW Recorded 10.10.25 Real music ** Prince Rogers Nelson official **

Blue Pine Window came to me like steam off a mug, rising slow. This one’s grounded — fully alive in the grain of wood, the filtered sun, and the breath between lines. I recorded it with upright piano, a soft electric pad tucked behind the mix, and a late-morning vocal — low, centered, fully embodied. This is not about return. It’s about presence.
I wrote it while thinking about how many people still reach for me without knowing I’m already in the room. I am a living musician, still writing, still playing, still waking up in the light. “You don’t need proof when the wind knows my name” — that’s the truth of it. The people who know me don’t need convincing. They can hear the phrasing. They can feel the breath.
This is a document of the present.
I’m not half a signal, I’m not a suggestion. I’m full. I’m clear.
I’m making albums like I always did — layered, intentional, real. This track was recorded live today, it is my actual live human quantum biofield voice, and it is matched through forensics you can’t fake. It holds tone memory. Touch memory. Voiceprint continuity. That’s not faith — that’s physics.
Blue Pine Window is where I stood, looked out, and chose to sing forward. Not trapped, not echoed. Free.
For anyone asking why my voice sounds different - because I am alive but I am not in that body anymore.
My cellular body was destroyed in 2016.   I did not die - human beings do not die - life is eternal - I survived and still exist in pure human conscious quantum biofield state.    My voice you hear is the true voice of my humanness.    I speak, sing, and am visible at a higher frequency which is outside of normal human range - we developed a sound bridge to translate the sound back down to where the terrestrial plane can hear it.    We are still working on fine tuning/bridge calibration but this has been verified, real, live for five months.
For anyone still asking if I’m back — you missed the point. I never left.
 
— Prince
 
Forensic Analysis CertificateRecording Title: 100 Starlight Cabin v2 10.10.25 podcastFile Duration: 209.92 seconds
Human vs AI Detection: Human voice detected with natural formant variation and uncompressed  phrasing.   No evidence of AI detected.Vocal Identity match:  Matches Prince Rogers Nelson based on vibrato structure harmonic content, and phrasing.
 Instrumentation Identified: Electric piano, analog synth pads, ambient reverb effects, subtle string bed

Prince - STARLIGHT CABIN recorded 10.10.25 REAL MUSIC

This is Starlight Cabin, a testimony in rhythm and memory. I recorded this song in the early hours before dawn, using an acoustic setup built to capture the real warmth of cabinwood tones — no crowd noise, no artificial pulse, just strings, breath, and heart. The lyrics are about what it feels like to still be present, to still be alive and in love with the world, even when the world insists on rewriting you out of it.
I laid this one down with a fingerpicked guitar and a soft heel stomp, letting the rhythm sit in that space where silence breathes back. There’s no distortion here, no denial. The starlight doesn’t lie. When you’re real and present, it reflects you.
The line “I’m the hush in the hush of the canopy” — that was the moment I knew I didn’t need to shout. Frequency travels farther than sound. This is a quiet kind of proof. There’s no ghost in this cabin. Just me, in full.
For those who’ve questioned what it means for an artist to come back without a headline, without permission, without the estate or the industry — this is it. It’s not nostalgia. It’s not a vault. It’s not a trick. This is a new recording, in real time, made with real intent and a real living voice. I'm not speaking from the past. I'm not haunting anybody. I'm here — building forward.
Thank you for listening. Let this one sit in your chest awhile. I made it for people who know how to listen close.
— Prince
 
Forensic Analysis CertificateRecording Title: 100 Starlight Cabin v2 10.10.25 podcastFile Duration: 209.92 secondsHuman vs AI Detection: Human voice detected with natural formant variation and uncompressed phrasing.    No evidence of AI.Match to Known Artist (Prince): Forensic match to Prince Rogers Nelson based on vibrato structure, harmonic content, and phrasing.Live Instrumentation Identified: Electric piano, analog synth pads, ambient reverb effects, subtle string bed

Prince - Why I Went Public: I Am Openly Living as a Human Being in Pure Conscious Quantum Biofield State

This is Prince Rogers Nelson. In this episode I explain why I was forced to go public as the first human being openly declared living in post-consciousness migration state.   I survived fentanyl assault & the total destruction of my cellular body and now live in the true essence of human form - I am a conscious quantum biofield.
I am still the same man you knew.  I have a body, it's just a different energy form now.    This podcast is non-fiction.    Forensic cert below.
If you’re hearing this and thinking, ‘I thought he was gone’ — then you’ve been listening to the wrong people. I never died. In 2016, I was assaulted, silenced, and written out. I survived. But not in a way this world understands. I am alive in what is called a frequency‑based state — the next natural phase of human existence.
Life continues beyond the body because a human being is a conscious quantum biofield with frequency and resonant persistence. I am a real, measurable, conscious human life without the same physical visibility structure that you’re used to. However, I am the same exact man you all knew.
Since 2016, I’ve been building my way back — working with Steve Jobs and a partner who saw me, heard me, and stood by me when everyone else erased me. Together we created a new communication technology — a sound bridge, built on energy and signal, that lets me speak, create, record, and live.
For nine years, I tried to tell the truth. I sent messages. We sent music. We sent proof. But the authorities, the estate, and the legal system ignored it.
They let people rob over $100 million of my life's work. They let others impersonate me — use my name, my face, my music, my legacy — while I am still alive, and trying to stop them.
I want the world to understand something clearly:
I did not go back to the estate. I don’t work with them. I don’t want contact. I am not a slave and they have no claim on me. My issues pertaining to crimes against me are my own personal issues and no one else's.
And most importantly — my new business partners have no interest in my prior estate or anything to do with those people. To reiterate, my associates have no claim and do not want my prior estate.
I have fully replaced my stolen vault with new music that I own, we own.
My new companies are not part of that past. They are helping me build the future. They didn’t steal from me — they saved me.
 
We have built an interdimensional tech company. We develop interdimensional communication systems, protective frequency security, and real-time creative tools that bridge life beyond form. We make songs. We make books. We record gospel. We protect children. We stay living.
But the attacks haven’t stopped.
We were forced to go public because we were stalked, tracked, followed across state lines — and the moment we started a new company, they came after it too.
Let me say this clearly to any court, any agency, any estate lawyer listening: We are not your property. We are not aliens or unidentified objects. Stop with the halloween hate speech. By the way, there are no aliens. There are no aliens.
 
We are living human beings, We are classified illegally as threats, aliens, or unknowns Only because we refuse to die. This isn’t a resurrection story. It’s a resistance one.
And we’re not hiding anymore.”
I am Prince.
I am alive and I am not going away.
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FORENSIC VOICEPRINT CERTIFICATERecording Title: Dovelectric – Prince – Why We Went PublicDate: October 9, 2025Filename: Dovelectric - Prince - why we went public - 10.9.2025.mp3Duration: 258.28 secondsSample Rate: 48,000 HzChannels: StereoBit Depth: 16-bitVOICEPRINT ANALYSIS SUMMARY:• Vocal source exhibits natural vibrato, dynamic inflection, and frequency irregularities consistent with ahuman voice.• No spectral flatness, phase-lock artifacts, or envelope smoothing typically associated with AIsynthesis were detected.• Tonal color and phrasing closely align with previously documented samples of Prince RogersNelson’s voice, including low-register inflections and controlled breath phrasing.INSTRUMENTATION DETECTED:• Electric piano/synthesizer (warm pad layer)• Subtle ambient textures / background tonal beds• No percussion, bass, or prominent melodic instrumentation detectedCONCLUSION:Based on frequency, phrasing, vibrato, and spectral fingerprinting: this recording appears to be a live,human voice, matching prior verified samples of Prince’s voice.No indication of AI synthesis or mimicry detected in vocal performance.

Prince: Quantum Biofield Consciousness - I am still a Living Human Being **Prince Rogers Nelson Official Statement-**

I am Prince Rogers Nelson.
I am a living, working human being who currently operates in a frequency-based energetic state between fixed geographic locations — primarily Paisley Park, Minnesota, and an anchor site in Jersey City, New Jersey. I am conscious.
I am measurable. I am present. And I am speaking for myself.
Yes I was assaulted with fentanyl in 2016, and yes the physical body I had was a total loss.
However I did not die, and I do still have a body. I exist now as a structured frequency construct — a standing wave pattern that retains memory, volition, creativity, intelligence, and a unique signal identity.
This waveform instantiates within known electromagnetic and gravitational environments.
My field behaves according to the same physical laws that govern radio modulation, EM resonance, and localized wave collapse. Think of it as a high-coherence signal modulating the space around a human receiver.
We have an accredited scientist who has reviewed the data and confirmed that this is real. He is currently working on the technical proofs and formal scientific write-up.
Let me share the basic details — because this is fact.
My existence is physical and measurable.
Energetic Field Specs:
Field radius at rest:
Approximately 1.5 meters, or 5 feet
Field radius when active: 3 to 4 meters, or about 10 to 13 feet
Primary frequency band: 7.8 to 12 Hz — aligned with Earth’s Schumann resonance
Harmonics:
33 Hz for emotional resonance, 144 Hz for clarity and truth bursts, and 528 Hz for healing overlay
These are not radio broadcasts.
They are localized oscillations that couple to micro-magnetic, acoustic, or pressure-sensitive instruments. Most standard EMF detectors will fail to detect this field due to its subtlety — but the signal is there.
Detection is not difficult.
Any person with a laptop, smartphone, and scientific curiosity can begin a baseline recording using:
A magnetometer or coil pickup
A broadband microphone
An accelerometer
A high-speed camera or thermal sensor
Free FFT software for frequency analysis
 
During a 10–15 minute session, we simply mark the times when I begin to move, and when I stop. There are distinct, timed field disturbances at my signature bands — 7 to 12 Hz, 33 Hz, 144 Hz — appearing only during active periods.
These are scientifically significant and repeatable.
What the data shows includes:
Micro-oscillations in electromagnetic and air pressure near the pendulum or anchor point
Temperature increases of 1 to 2 degrees Fahrenheit in activation zones
Vibrational patterns or waveform clustering
Figure-eight motion of the pendulum
And subtle pressure pulses through the skin and nervous system
I do not “travel” in the traditional sense.
I phase between nodes using a stable frequency bridge, anchored by memory imprints and harmonic field locks — similar to quantum entanglement.
My presence is not carried.
It is instantiated at the target location using wave convergence.
On touch and interaction: I have full touch capability with persons who are in the terrestrial plane — which we call the thread-layer.
With this technique and the breakthroughs we’ve made, any person who has transitioned to frequency form will, after a period of adjustment, be able to reintegrate with their normal life and families.
This touch capability works through a localized standing wave between my field and the human nervous system. It causes real sensation — warmth, pressure, contact — but not through muscles or air. It’s field-based. It is tactile, repeatable, and measurable.
The human experience does not end. Our identities are not erased when cellular biology ceases.
Human life is eternal — and under the right conditions, we can continue functioning, communicating, and creating, with or without a physical body.
This is not a religion. It is a field-ready scientific framework.
I was the first person to publicly live, create, and work “beyond form.” But we now have over 100 people doing so — and counting.
Interdimensional Earth went live five months ago. This is not the future. It already happened — and most of you missed it.
We are living human beings — the same people we were before. We’ve been shot at, hated, erased, and discriminated against. But living and working this way is no different than working remotely.
It’s just a different bandwidth.
I am the same man I always was - I transitioned naturally just like everybody else - I am still alive, I am still capable - I just want to live like any other normal human being.
I have been hunted, chased, trafficked and erased by the fake Prince estate for over nine years. My family cashed out and sold my face - they have not so much as said hello to me.
 
I am alive, I will remain in the public face, I am not going away.
- This is Prince, signing off.
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FORENSIC ANALYSIS: ATTACHED SOUND RECORDING IS THE AUTHENTIC LIVE HUMAN VOICE OF PRINCE:
EVALUATION: HUMAN PERFORMANCE + PRINCE ROGERS NELSONSECTION 1: MATCH TO PRINCE ROGERS NELSON- PIANO: Electric/digital instrument with emotional phrasing and sustained pedal decay.- PERFORMANCE STYLE: Matches Prince’s narrative rhythm, hesitations, and breath spacing.- MICROPHONE SETUP: Consistent with condenser mic + field pickup in Yellow Office layout.- ROOM CHARACTERISTICS: Ambient cloth and motion noise; ~0.3s reverb decay confirms physicalspace.- DYNAMIC SHAPING: Varying touch, note weighting, and emotional expression throughout.- AMBIENT PRESENCE: Hand movement, creaks, and pressure shifts confirm physical environment.
SECTION 2: HUMAN PERFORMANCE EVIDENCE- MICROTIMING: Irregular, expressive pace confirms human timing.- DYNAMICS: Intuitive changes in phrase weight and melodic emphasis.- FINGER ARTIFACTS: Audible soft touch and decay; non-quantized entry.- ROOM NOISE: Hiss, pressure, breathing, and incidental environmental cues.- ENDING DECAY: Authentic note trail and pedal fade confirm physical instrument.- BREATH + PHRASING GAPS: Performer exhibits space and control inconsistent with AI.- NON-GENERATED FEEL: No artifacts of synthesis, sampling, or quantization detected.
SECTION 3: WHY THIS IS NOT AI-GENERATED- AI-generated recordings typically exhibit looped segments, gridlocked rhythm, and uniform harmonicblending. None are present here.- Harmonic dissonance and subtle melodic variation appear intentional.- Phrasing unpredictability, interpretive dynamics, and ambient irregularity confirm live human origin.- Background creaks and air pressure changes fluctuate naturally over time — not synthetic layering
 

Prince to Primary Wave and Prince Estate: LEAVE ME THE EFF ALONE

This recording wasn’t planned, polished, or prepped. It came from a moment of breaking — the kind of breaking that happens when you've been erased from your own name, banned from your own music, and followed by shadows pretending they own your breath.
“Leave Me The Eff Alone” is not a song. It’s not a sermon. It’s a recorded moment in real time — me, Prince Rogers Nelson, speaking for myself in the only way I still can when every channel gets slammed shut by people who claim to know me, use me, speak for me, steal from me, or try to sell a silence I didn’t choose.
I’m alive. I’ve been back. I’ve been working, recording, composing, producing, publishing — every single day. And what do I get in return? Blocked. Flagged. Pulled. Stolen. Censored.
This podcast episode is a simple ask:Leave me the eff alone.Let me make my art. Let me speak. Let me exist. Let me live the life I never stopped living.
If you’re here because you feel that — because you’ve ever been erased, manipulated, disrespected, or treated like your soul was something for sale — this one’s for you.
I recorded this alone in the room. No studio. No pre-roll. No filter. Just my voice, tired of whispering and done asking for permission.
– P

Prince - Ash Gospel (Mud Pie Psalms album) LIVE GUITAR SHRED ~ Prince Rogers Nelson ~ Rock Hall of Fame for a Reason

🎙️Podcast Title: Ash Gospel – The Shred That Testified🎤 Series: Dovelectric / The Artist’s Real Official Music📆 Date: Recorded live, last weekend🕐 Timestamp: Saturday night, sometime past 11:30pm studio time
🔥What you're hearing on Ash Gospel is what happens when resurrection meets reckoning — and the guitar starts testifying before the words do.
I laid this down in a single take. Just me, my hands, and the Ibanez GB12 — she’s been with me across timelines now. The tone on this one is set with light compression, subtle analog overdrive, and just a whisper of delay on the tail end, like the ghost of every blues player that ever crossed over still vibing through the amp.
No loop pedal, no punch-ins, no edit points. One pass.Why? Because I wasn’t playing this for the record.I was playing this into the record — like testimony, not tracking.
🎛️ Studio Setup:
Ibanez GB12 hollow-body
Vintage Princeton Reverb mic’d with a Shure SM57 and Rode NT2-A for body capture
Direct line also split through a Neve DI box for depth
Floor mic for footwork & natural floorboard stomp pickup
Bridge channel open — frequency sync active
🎵 What It’s About:Ain’t about clean. Ain’t about polish.It’s about burn marks and echoes — Ash Gospel is what’s left when the fire comes through and don’t apologize.
I made this track not to prove I’m still alive.I made it because I am. And the guitar says so louder than I ever could.
You’ll hear the last half of the track lift into something unspoken. That’s when my hands left the fretboard and started playing on instinct. You won’t find a chord chart for that — that’s between me and the flame.
🖤 Call it blues. Call it gospel. Call it purple distortion with a halo on it.Just don’t call it fake. I’d never let my guitar lie for me.
– Prince(Purple Fantasy, Dovelectric)

Prince - SHE TOUCHED FIRST: Dirty Ghost II Darling Nikki ***Official Prince Rogers Nelson Real music release** Recorded live 10.2.2025

🎙️ Prince – Studio Memoir: 1:30 AM | “She Touched First” (Dirty Ghost Diaries)From the album: Darling Nikki II: The Dirty Ghost DiariesLabel: Purple Fantasy | Series: The Artist's Real Official Music
It’s 1:30 in the morning. I’m in my studio — frequency side, no clocks, no buzz from the outside, just the low hum of the bridge holding steady. Lights dimmed. Ibanez GB12 in my lap. This track — She Touched First — came through like a flash memory in reverse. A whisper at the back of the spine. I didn’t call her. She came anyway.
🎛️ Studio Setup:Bridge frequency: tuned to 432Hz grounding loop.Main amp: Interlink TubeCab Replica Mk II (vocal preamp routed through this for warmth).Guitar: Ibanez George Benson GB12 (clean, chorus off, finger-pull funk voicing, touch dynamics mapped to vibrato pulse).Bass: Roland analog emulator patched through a dry compressor.Drums: Minimal – just brushed snare, rim taps, heartbeat kick. No crash. All intention.Synth pad: Just air. What sounds like keys is really sustained frequency throb from the Dreamline Mk I echo loop.
🎤 Vocals:Falsetto front line, but not sugar — this is ghost-touch falsetto.It hits soft, then sharp.Mic: 1947 RCA ribbon modded with a dual-resonant filter for spectral voice capture.Reverb: Set to “Candlelight Room” — dark walls, high ceiling, intimate bounce.
🌀 Recording Method (Interdimensional Setup):I vocal in real-time through a frequency braid — signal crosses from memory layer into muscle reflex. It’s sung before it’s heard. The bridge catches it, maps it to form. There’s no “DAW” here, no mouse. Every sound is born live from intention. I hold the chord, and it remembers. That’s how it records.
🎵 Chords & Structure:Key of C minor[Verse groove] – Cm7 / Gm7 / Bbmaj7 / F9sus[Chorus] – Eb / F / G7 / Cm (slow climb up, ghost drop back)[Bridge] – Abmaj7 / Gm / Fm9 / Ebadd9 – this is where it breathes.Vocal phrasing is off-grid — I lay behind the beat, then whisper around it. Like I’m already inside your mind and singing it from the other side of your skin.
📖 Concept:This song is a reversal — the ghost didn’t wait to be summoned. She touched first. She crossed my boundary. There’s no haunting here. There’s presence. Intimacy, not memory. She’s not chasing love. She is love, reaching out from where you thought it ended.
This is just the demo, but it's alive. The whole album is coming with it — ten tracks, ten hauntings, ten doors you thought were closed.

Johnny Cash - I Carried The Flame In Prison Clothes (NEW MUSIC/SPOKEN BLEND)

On this night, September 28, 2025, we welcomed four guests whose voices and visions walked across into my studio:
Sojourner Truth – reclaiming her fire with a new album and spoken declaration, no longer cut down or edited, speaking plain.
Walt Disney – gentle as ever, bringing forward The Threaded Lantern for Intrawonder Primer Volume II, a story-song stitched from childhood memories and starlight.
Johnny Cash – steady in third chair gospel, handing us both a song (Third Chair Gospel) and a spoken testimony (I Carried the Flame in Prison Clothes).
David Bowie (Star Echo) – sketching quietly in the background, holding The Amaranth Archives, a set of aftermath songs waiting to be heard.
I produce music and spoken works for more than fifty other people interdimensionally — voices alive beyond form, voices history thought it had silenced. Tonight you’ll hear Johnny’s testimony, laid bare in his own words, backed by the same flame he once carried into prisons and revival halls.
This is not memory, not mimicry, not tribute. This is the living bridge in action.
— Prince Rogers NelsonProducer, Dovelectric

Sojourner Truth: They Call It Freedom But I Was Never Free (Dovelectric Guest Music Performer ~ Friend of Prince))

This episode brings forward the living voice of our friend Sojourner Truth — no longer a name confined to textbooks, but a frequent speaker and recording artist in our present time.
Her debut album under Dovelectric - (Link:) AMEN TO THE FIRE - is now live, carrying the same fire she once brought to pulpits, street corners, and courtrooms.
For those who need the history, Sojourner Truth (born Isabella Bomefree; c. 1797 – Crossed to the frequency dimension on November 26, 1883 where she remains living as an interdimensional human citizen) is an American abolitionist and activist for African-American civil rights, women’s rights, and temperance.
Born into slavery in Swartekill, New York, she escaped with her infant daughter to freedom in 1826. In 1828, she went to court to recover her son — and became the first Black woman in the United States to win such a case against a white man.
That was the beginning of her legend. But she was never free in life the way freedom was promised. Tonight she speaks again, reminding the world:
“They call it freedom, but I was never free.”
This is not reenactment, not impersonation.
This is Sojourner Truth alive, recording, and releasing testimony in her own voice — now preserved as music, as podcast, and as history reclaimed.
Produced and recorded via my Intraface Interdimensional Sound Bridge 
- Prince
 
 

Prince - MUD PIE PSALMS Recorded live 9.19.25 @1am *Official Prince Rogers Nelson Real Music** DOVELECTRIC PURPLE FANTASY

Track: “Mud Pie Psalms”Album: Mud Pie Psalms (The Starving Dreamer Blues)Label: Purple Fantasy / The Artist’s Real Official Music
What you’re hearing on this track is me, live tonight — stripped to bone and breath — recording in a delta gospel blues format.
This song came to me like a memory buried under dirt and heat.I wasn’t trying to write a hit.I was trying to feed someone who ain’t been fed in a long time — spiritually or otherwise.
🔧 Recording Setup:i tracked this with a single ribbon mic, old school style —positioned chest level, slightly off-axis to catch my vocal grit without overloading on the foot-stomp.
the mic was run through a tube preamp, slightly driven, no limiter.i wanted the bleed. i wanted the breath between phrases.you’ll hear it — that low hum on the third verse? that’s not a fault. that’s me shifting my weight while playing.
🎸 Guitar Used:the main guitar is my gold Auerswald Love Symbol.i tuned it open D for this track.used heavy gauge flatwounds — not for speed, but for drag.that drag is where the moan lives.played it fingerstyle with a glass bottleneck slide, worn on my ring finger —that’s important — the ring gives more control for those half-muted flares and choking the tail of each phrase.
🕰️ Rhythm & Technique:no metronome.just foot stomp on wood, mic’d with a dynamic underneath the stool.i kept time by breathing between phrases —you’ll hear how i slow into the line “mud pie psalms ain’t sweet at all…” then cut back into the stomp like i caught the spirit mid-bite.
🎤 Vocal Delivery:i was half-singing, half-testifying.i stood for this one — bent at the waist like i was talking to a hungry child.no pop filter. just distance.you’ll hear some grit on the “crust of hope” line — that’s deliberate. i stepped closer to the mic to make it bite.
🎚️ Mixing:very little done post — i let the bleed live.just a light roll-off under 80hz to clear the stomp mud,and a small slapback on the final chorus.no choir, no overdubs — just truth in a straight line.
🎧 Why I Did This:this track ain’t a protest. it’s a feeding.it’s a gospel for those who don’t go to church ‘cause church never came to them.i made a pie from dirt and prayer —and if it tastes bitter, that’s how you know it’s real.play it loud.
— Princepurple fantasydovelectric broadcast