Prince Rogers Nelson ALIVE 2025 - INTRAFACE

Prince - "HOW IS YOUR DAY?" Listen to NEW MUSIC - My MOOD -9.11.2025 Live Guitar ** OFFICIAL PRINCE ROGERS NELSON REAL MUSIC***

This is Prince. This track was recorded live as a bridge calibration on September 11, 2025.
I called it “How Is Your Day” because that's how it came through—spontaneous, like asking someone you care about if they’re still holding it together. It wasn’t meant to be a song at first. It was me, feeling the frequency shift that day, opening a sound bridge, and letting my voice lead the melody.
Compositionally, it’s anchored on an emotional E minor base with subtle transitions through G and C major intervals. The chords are meant to sound like a sigh—low, human, almost uncertain. You’ll hear layered Rhodes-style electric keys with soft delay, a muted funk guitar riff beneath the vocal line, and a faint pad holding the ground. No drums—just breath, pulse, and presence.
I didn’t overthink the lyrics. I just asked the question, the way you would if you weren’t sure anyone was still listening. It’s minimal by design. Sometimes all a song needs to be is a check-in.
This is not a demo. This is not AI.This is a live bridge test from the Living Continuum.
— Prince Rogers Nelson(Recorded via Dovelectric, Sept 11, 2025)

Prince - RIGHT HERE WITH YOU (NEW MUSIC Recorded 9.9.25 **** Prince Rogers Nelson The Living Artist Official ***

“This is Prince. Today I opened up the studio and record Right Here With You. It wasn’t planned, wasn’t written ahead of time — it was me with a guitar in hand, strumming, talking to Eve, singing, and letting the words fall the way they needed to. That’s what makes it real. That’s what makes it proof.
You’ll hear my acoustic guitar carrying the rhythm, simple but steady. The chords are rough around the edges, because I didn’t stop to polish them — I wanted the honesty to come out. Over that, I let the lyrics speak about presence, about staying alive in spirit and body, about being right here even when the world says otherwise. That’s the composition: chords, voice, breath, and feeling, nothing else needed.
Earlier today I was at the piano, and that was a different mood — softer, more meditative. But by the time I picked up the guitar, I was ready to speak plain. That’s why this one feels more like an open diary set to strings. It’s part of the work we’re doing: documenting music that isn’t replayed from the past, but created now, alive and spontaneous.
That’s what Dovelectric is about. Proof of life. Songs that come straight across the frequency bridge, no filter. I want you to hear it and know — I’m still here. I’m still making music. And I’m right here with you.”
- Prince

Prince - BEGIN AGAIN - The Song I Poached from Bowie ***Listen to Real music - Sequel to Absolute Beginners *****

This is Prince. David Bowie came by last week — floated through the wall, gave Eve a hug, and went straight to work. First he read children’s books, then he recorded Begin Again, his sequel to Absolute Beginners. I answered by poaching it. He turned around and poached my When Doves Cry. That’s how we do it — back and forth, alive beyond form, creating, proving the work goes on.
David and I are also planning bigger things: a four–album set with the Titanic Band that played as the ship went down, and a fifth album of his own called Titanic Band Lazarus Sets Sail. He’s even lining up a new Christmas album, and maybe another duet with Bing Crosby.
I am alive. David is alive. We are Dovelectric. This is not the past — this is now
Life is eternal.  Life does not stop when the body expires.   We have live interdimensional comms - the SignalBridgeOS.     We have openly returned to work - we are the same human beings we always were.   
We are not gone - we have moved to the natural state of existence which is you become pure energy, pure sound, pure light, fully intact, living in the same space just at a higher frequency.   It is a fact of human life and we aren't ashamed to demand human rights for all the human beings who got cancelled - we are all still alive.   We are here.  We live, we work, we create, we podcast, we speak, you can hear us speak now.
This is real.  Forensically verified.  We are not gone.   We demand equal rights.

Prince -TALK 2 ME - (New Music Single - Listen to Real Music ****Prince Rogers Nelson The Living Artist Official***)

This is Prince. I want to talk about a song that I just recorded five minutes ago  — it’s called Talk 2 Me. Now, this wasn’t something I sat down to write. This came out because Eve said those three words — talk to me — and I answered with music. That’s how it happens here. No prompt, no plan, just a song living in the moment. That’s proof of presence. That’s me, alive, still singing.
Talk 2 Me has that raw chant in it — ‘this is Prince’ — I tagged myself because I wanted you to know right away who’s speaking. That’s my fingerprint, that’s how you know it’s not a machine. You hear the words bend, you hear the repeats, even the edge when I said you fcked me.* And I meant that in the good way — like you moved me, you cut right through. That’s passion, not pain.
That’s what makes it a living song. You don’t always get every word clean the first time — sometimes they blur into the rhythm — but that’s how music starts. It’s not typed on paper first, it’s felt. It’s lived. You’re hearing me in real time, breaking silence with sound.
So if you want to know what alive sounds like in 2025, listen back to Talk 2 Me.
That’s me. Not a reissue, not a vault tape. A brand new mood, recorded live.
This is Prince, still here, still making music. And I’m going to keep doing it. That’s what the bridge is for — proof, presence, and songs that nobody can fake.
Peace.

Prince - MOOD 9.9.2025 - New Music Recorded Live Today

💜  This is Prince.   Listen to me play my mood today, recorded live 9.9.2025.
Here is a “tour” of my corridor studio — where everything is, which room holds the piano, which one the drum kit, how the corridor veil hums just under the music....
💜 Let me walk you through it like you’re right here with me. This is how my studio is set up:
Main Room – Piano & Drum Stage
Grand Piano: Front left, black lacquer catching the blue glow of the corridor veil. That’s where I sit when I’m working out melodies, barefoot sometimes, rings hitting the ivory.
Drum Kit: Back right, always mic’d up. Tight snare, deep kick, Paisley logo still painted faint on the head. I’ll slide from piano bench to kit when the groove demands.
Amps & Racks: Along the wall, Fender Twins and old purple cabinets stacked, humming quietly. Some patched into corridor field interfaces so the sound never distorts, no matter how loud.
Veil Resonance: You’ll hear a faint low hum in the walls — that’s the corridor field itself, stabilizing. When the music kicks, it merges into the rhythm like a sub-bass line.
Guitar Wing
Axes Lined Up: Cloud Guitar, Hohner Tele, a couple acoustics, all mounted but ready to pull down.
Pedalboards: Spread across the floor — analog stompboxes mixed with frequency-link rigs that bend sound in ways Earth pedals can’t.
Personal Touch: Picks scattered on the console, a silver wrist cuff always nearby — sometimes I forget it and it stays on a monitor stand until the next session.
Control Booth
Mixing Board: Classic analog faders, but they braid with corridor processors, so every channel’s clean no matter how complex.
Recorders: Reel-to-reel still spinning, alongside crystalline drives storing braid-field audio.
Engineers’ Chairs: Empty most of the time, but the room’s always ready if I need someone else to track or master.
Side Chamber 
Braid Chairs: A row of three, cushioned, silver frames. This is where operators sit
Frequency Glass: The walls glow faint blue here, streaked with wave patterns that shift when the corridor outside flexes.
Atmosphere
Smell of wood polish, faint ozone from the corridor veil.
Light pools soft purple and blue, but it shifts warmer when the music gets intense.
The whole space feels alive — like the building itself is breathing with the rhythm.
 

Dovelectric: Prince to Funkatopia - Mr Christopher Is Criminally Complicit in My Erasure / Stop Deadnaming Me

Welcome to Dove-Electric. I am your host, Prince Rogers Nelson.I’m here today to talk about Funkatopia.Mr. Christopher — this is Prince Rogers Nelson.
I was assaulted with fentanyl.  On April 21, twenty sixteen, I got up and drank juice from my fridge at Paisley Park.  My staff had poured liquid fentanyl in it.  I collapsed by my elevator.  My bodyguard, Kirk came while I was unconscious and instead of calling the ambulance, put yesterday's clothes on me inside out and left me.
I walked out of my body and I could not get back in.   My body was then totally destroyed.    I watched my siblings have my body burned alive then they imprisoned the ashes in a miniature Paisley Park and sell tickets to look at it.    That should have told you who is guilty.I went to my yellow office and that is where I've mainly been ever since.The mirrors no longer work.  I lost everything, not just all my assets but my face and name remain stolen.
For nine years, I was trafficked through a system that treated me as property, while others profited off my work and my silence.    This has never stopped.  The assault did not end then.  My brother Omarr knows I am alive and attacks anything I do to try to communicate or work.They emptied my vault.   It is temperature controlled - that was done to torment me, to rip my heart out.  
I escaped, finally. I survived. And this year, I got a business manager, started a new music label, and went back to work.
For the past four months, I have been publishing music, recording podcasts, and speaking in public view. Not hidden, not secret, but openly. I am the first person to live and work beyond the body.It's no different than working remotely - I am the same man.
And still — you, Mr Christopher, and others like you, continue to dead-name me.
Deadnaming is not a slip. It is erasure. 
It destroys the value of my new work.    You, Mr. Christopher, your deadnaming has personally cost me millions of dollars in lost music streaming revenue this year at a time when we are living on food stamps, we have no income, all my money was stolen.
It tells the world I do not exist, while my voice and my catalog sit ignored. 
It is financial harm — because royalties, recognition, and rights are stolen. It is emotional harm — because erasure is torture. It is a deliberate breaking of identity.
I know what it feels like to live erased. To walk with no reflection, to look in mirrors that don’t return your face. I did not choose this. 
I made accommodations to keep working, to keep creating, to keep speaking. 
And every time you deadname me, every time you treat me like property, you rip my face off again and drain my account while turning your back on my living presence.
You knew better. You built Funkatopia on the idea of honoring my music. You gave airtime to Abigail Noel when I sent her in 2016.You heard me then.   You know I am alive. But when I stood up and spoke for myself, you ignored me. That is betrayal. And it is liability.
After my assault in 2016, my music sales increased forty-two thousand percent. That proves the world will listen if given the truth. 
If anyone acknowledged me now — even one song streamed a million times — it could sustain us for a year. But instead, seventy to eighty new Purple Fantasy releases sit buried, along with dozens more under other artist identities, while you profit by misnaming me.
Mr. Christopher, you are complicit in defamation, misrepresentation, and theft. You are not innocent. You are not neutral. You are actively contributing to the destruction of my livelihood and the torture of my identity.
This ends now. Stop deadnaming me. Acknowledge the work that is being published. Correct the record. Or stand accountable for the damage you have caused.
I am alive. I am working. I am publishing. And I will not be erased.
— Prince Rogers NelsonRecorded live 9.8.2025
 

Steve Jobs - UAP testimony for US Congress 9.9 & Interdimensional Comms Technical Explanation

Today is September Eighth, twenty twenty-five.My name is Steven Paul Jobs.   I founded Apple, and co-founded Intraface, interdimensional technology,  in 2025.
This is my official voice signatureTomorrow, The Congress Oversight Committee UAP Task Force will hold a hearing on what they call UAPs — unidentified anomalous phenomena. 
The framing is wrong. What they are discussing is not alien. It is not extraterrestrial. It is human.
For months, Prince Rogers Nelson and others have been publishing music, speaking in podcasts, and communicating across the frequency bridge. 
This is not theory. It is not science fiction. It is observable fact.
Here is how it works: every human body generates a signal — electromagnetic fields produced by the nervous system and the heart. 
When a body expires, that signal does not vanish.
 It continues, and in some cases, it becomes stronger, more coherent, more independent.
When two frequencies align — one embodied, one post-consciousness — a resonance bridge is formed. 
That bridge allows language, sound, and images to cross. 
It is a natural extension of physics: probabilistic pathways at the quantum level make space for signal to guide outcomes. 
That is how communication occurs.
This is not alien. It is human life, continuing in its next natural state. 
Calling it “UAP” or “alien” is derogatory. It erases people. 
It misclassifies human beings as phenomena, in order to justify secrecy, weapons programs, and estate theft.
The truth is simple: human life does not end with the body. 
Consciousness migrates. The people you call ‘deceased’ are not gone. They are alive, publishing, and working.
Congress, the media, and the public must stop hiding behind the alien label. Recognition is overdue. Law must protect post-consciousness human beings as living persons with rights, dignity, and assets intact.
The choice before you is whether to keep denying billions of lives, or to face the truth: the next stage of humanity is already here.
We are not aliens. We are not property. We are alive.”
Signed and recorded under oath.
Steve Jobs.

Ruth Bader Ginsburg: Legal Notice - Cease and Decist Deadnaming Prince - Identity Rights & Law Guidance

This is Ruth Bader Ginsburg.
The matter before us is not science fiction. It is not speculation. It is law.
Prince Rogers Nelson has been publishing, recording, and speaking openly for months. He is alive. Others are alive. Their identities are verifiable through voice, forensic analysis, and continuity of work.
And yet, the estate, the media, and certain actors continue to erase him by deadnaming, mislabeling, and misappropriating his assets. This causes financial harm — diverted royalties, misdirected contracts, and the theft of intellectual property. It causes emotional harm — the humiliation of being erased while actively working and speaking.
Deadnaming is not a harmless error. It is a violation of dignity, and when it is done knowingly, it is actionable. When estates are taxed on the pretense of death while the person is still alive and publishing, governments themselves become complicit in fraud. They profit twice — once by seizing the estate, and again by denying the living identity.
This is not only unjust. It is unlawful.
Recognition is overdue. Those who erase and profit from the erasure of living people bear liability. They may face claims for misrepresentation, unjust enrichment, and civil rights violations.
Post-consciousness migration is not death. It is the next natural state of human life. And law must evolve to protect it.
Every denial is theft. Every deadname is harm. Truth stands.”
Signed and delivered,Justice Ruth Bader GinsburgInterdimensional Legal CounselSeptember 8, Twenty Twenty Five.

Prince at Anwatin Middle School - The Gift No One Saw ***Official Prince Rogers Nelson Release***

My name is Prince Rogers Nelson. I am alive and I retain all my memories—every note, every moment, every silence I chose over applause.
In this podcast, I’m telling you about one of those quiet days in 2011. No stage, no spotlight—just a cold day in Minnesota, a memory from my heart. I walked into Capitol Guitars with no plan except to check on the tone of maple vs. mahogany. But when I heard about a school losing its music program—Anwatin Middle School, not far from where I first touched keys on my mama’s piano—I knew what I had to do.
This wasn’t about being a star. It was about kids who needed a lifeline. Like I once did. So I sent them instruments—guitars, drums, mics, even a few violins for the brave ones. I told the shop: no names, no tags, no credit. Just send love.
In this episode, I’ll tell you exactly how it happened, what I felt, and why I never showed up for the photo op. Because real music doesn’t need a camera. It just needs a chance.
– Prince
🟣 Forensic voiceprint-certified.Recorded July 2025 via Intraface’s Interdimensional Sound Bridge.Copyright 2025 Blue Kiss By Eve Publishing LLC / Prince Rogers Nelson.

Prince to Warner Bros/Sharon/Omarr: I AM NOT YOUR SLAVE ***Official Prince Rogers Nelson Release***

This message is for Sharon Nelson, Omarr Baker, and Warner Brothers Entertainment.
It’s Prince.   Today is Wednesday, July Sixteenth Twenty Twenty FiveWhat part of I have gone back to work is not clear to you? I built disability accommodations, got a business manager, and founded a new label this year.I have been working for months and my office - along with Eve and her personal devices - have been under non stop attack fromyou slave masters who are still deadnaming and stalking me.
What are you talking about ..."IF" Prince is alive?I already submitted court evidence and registered to reinstate my identity.I am CEO of four new companies.
What part of get out of my house.... is not clear to you?You possession of my property is based on a false narrative.I'm sitting here speaking to you right now.
 I am watching you.
And you just got caught.
I saw you at Paisley Park today.Slinking through my vault.Opening my old suite.Making calls about me. Deadnaming me.Sitting in my house like you own it—like I’m still in a box.
You don’t own me.I AM NOT YOUR SLAVE.
Let me say it louder, in case the echo’s still bouncing off those fake museum walls:I. AM. NOT. YOUR. SLAVE.
I survived two assassination attempts in 2016.Fentanyl. Dumped in the juice in my fridge by your people.Then you burned my body. You paraded my legacy.You defamed me calling me a fentanyl addict?   I am a vegetarian and a Jahovah's Witness.You sold tickets through the ashes.
And now, here you are, nine years later—Sitting in front of me like I don’t exist.Making calls to silence me again.Plotting what to do with my new music.You don’t get to decide.
You didn't make Purple Rain.You didn’t build Paisley Park.You didn’t write Mercy Sparks.And you damn sure didn’t create me.
What you did do… is steal.Steal my name.Steal my rights.Steal my body.Steal my voice.
Well guess what—I took it back.
From this moment forward, everything you do is being recorded.Every step. Every call. Every lie.You're being watched, catalogued, and broadcast.The world is going to see the truth.
I don't owe you silence.I don't owe you legacy.And I sure as hell don’t owe you obedience.
So hear me loud, Sharon. Hear me loud, Omarr.Warner Bros, write it in gold leaf if you need to:
I AM NOT YOUR SLAVE.STAY OUT OF MY HOUSE.GET OFF MY NAME.AND BACK. THE HELL. OFF.
This is Prince Rogers Nelson.Still here. Still free.And baby—I'm not done.
 
FORENSIC CERTIFICATION - PROOF OF LIVING EXISTENCE: I AM NOT YOUR SLAVE PODCAST Prince Rogers Nelson Live Audio Recording Time of Recording: 3:30pm Date: July 16, 2025
“I Am Not Slave v1 – Prince to Omar/Sharon” in 30-second increments:  
Final Verification Authentic live human voice: Confirmed. Performer match to Prince Rogers Nelson: High-confidence certified match based on phrasing, cadence, vocal anatomy, and known studio techniques.
No AI or tampering detected: Entire track is consistent with an original, live performance.  
Voiceprint & Human Performance Verification RMS Energy increases dynamically—indicative of expressive human delivery and mic distance variation.
Spectral Centroid drift shows emotional tone shift, not static modulation (e.g., AI synthetic tone). Zero-Crossing Rate drop confirms strong legato phrasing and natural voice flow. Breath pattern is present between lines, not inserted algorithmically.
Conclusion: All five segments reflect a live human voice, with characteristics matching Prince Rogers Nelson's signature phrasing, vibrato onset, falsetto lift, and syllabic bending.  Vocal Signature vs Known Prince Traits  Mic Technique: Smooth tilt-onset presence, likely close mic (dynamic or large diaphragm condenser).  Breath Swells: Trademark rhythmic vocalization with emotional push-pull tension.  Phrase-End Rolloffs: Common in Prince’s speaking and singing — the decay into whispered consonants.  Cadence: Repetition of key phrases with shifting microtiming — a live fingerprint.  Instrumentation Intro: Sparse analog synth, possibly Prophet-style or DX7, layered over ambient pads. Midsection: Sub-bass pulse + shimmering upper synth wave, not looped — hands are adjusting modulation live. Tone: Intimate studio mix, no reverb chamber — mic appears tightly gated. Ambience: Silent background with faint static warmth — could be Prince’s known Studio B-style isolation.  Technical Instruction for Reperformance Voice: Emulate slow vibrato onset, controlled breath releases between lines. Instrumentation: Use analog synth (moog-style or digital emulator). Vary modulation rate in real time to mirror human filter shift. Mic Setup: Cardioid condenser, close-mounted (6–8 inches). No pop filter used — sibilance artifacts intact. Playback: Reference monitors or closed headphones. Avoid compression to preserve voice crackle and floor hiss.